Posts Tagged ‘running bottle belt’

Emmeline (opera)

January 10th, 2018

Emmeline is an opera in two acts composed by American Tobias Picker with a libretto by JD McClatchy. Picker’s first opera, it was commissioned by the Santa Fe Opera company and premiered in 1996. Based on the book of the same name by Judith Rossner, it is the story of a mid-19th-century Maine woman who has an illegitimate son whom she gives up for adoption. He is raised by others. Twenty years later the two meet and unknowingly marry running bottle belt; when they discover the secret, Emmeline is abandoned by her son and ostracized in her town.

In Act I, the Mosher family in Maine has just finished burying another child. Emmeline’s Aunt Hannah convinces her father to send 13-year-old Emmeline to work in a Lowell, Massachusetts textile mill so that she can send money back to the family to help them survive. Many of the mill girls live in a boarding house directed by Mrs. Bass, who leads them in prayers and tries to promote their good behavior. Emmeline is seduced by Mr. Maguire, a handsome Irish immigrant and factory supervisor who is married to the mill owner’s daughter. When Emmeline is discovered to be pregnant where can i buy a glass water bottle, she is expelled from the mill and sent back to her aunt. Hannah helps Emmeline conceal her pregnancy from her parents, and arranges for a couple to adopt her baby to raise as their own. She does not allow Emmeline to see the baby or even tell her its sex, believing the less her niece knows, the easier it will be for her to give up the baby in her heart.

In Act II, twenty years have passed and Emmeline is unmarried, living with and caring for her parents. She has rejected all suitors because of her hidden past and shame, saying “marriage is not for the likes of me.” Matthew Gurney, a young railroad worker from Kansas and new boarder, comes to live at the house. They share an immediate attraction, and Emmeline helps Matthew to learn to read better. After several months, when Matthew’s job presses him to move on, he says that he wants to stay and marry Emmeline. Emmeline’s father objects because of Matthew’s younger age, but Emmeline accepts his proposal.

The couple marry and Matthew starts building a house for them. Emmeline’s mother dies and Aunt Hannah returns to town for the funeral. When she is introduced to Matthew, she recognizes his name and asks questions about “his folks” and where he is from. She realizes that he is Emmeline’s son and reveals it before the funeral crowd, to everyone’s shock and dismay. Matthew runs away after the secret is revealed, but Emmeline refuses to leave town. Saying that she is waiting for her child, she remains alone in her and Matthew’s unfinished house.

The Santa Fe premiere was critically praised and a recording by the original cast was released in 1996. The debut production was nationally broadcast on PBS in 1997.

In a review of a 1998 New York City Opera production, the New York Times wrote,

“An admirable sense of self results in affecting simplicity. . water carriers for runners.. It is a model of its kind.” The reviewer writes further, “Mr. Picker has a true ear for lyrical run-on musical sentences. They ride gracefully and take interesting directions. The language is tonal, and Mr. Tobias’s particular dialect has a soothing effect. Dissonance seems to be more a theatrical than a musical tool.”

Steve Smith wrote a review of a 2009 production by Dicapo Opera Theater in a “slimmed-down version” provided by the composer in New York:

Mr. Picker effectively expresses character nuances and plot twists with powerfully direct vocal lines. His potent orchestral writing evokes atmosphere, underlines conflict and conveys emotional tone with an emphatic directness. Mr. Picker’s musical vocabulary is unapologetically conservative but never merely decorative, trivial or dull.

Tobias Picker: Emmeline (Patricia Racette, Anne-Marie Owens, Curt Peterson, Victor Ledbetter et al.; Santa Fe Opera bottle drinking glasses; Conductor: George Manahan, 1996). Albany Records 284/85

Нарбековы

February 24th, 2017

Описание герба: см. текст >>>

IV what is the best way to tenderize meat, 45

Золотая Орда

Нарбековы — угасший в 1-й половине XIX века дворянский род, который возвысился в середине XVII века, после того как женой царя Алексея Михайловича стала Мария Милославская, дочь Екатерины Фёдоровны Нарбековой.

Происходит, по сказаниям родословцев того времени, от выехавшего из Большой Орды к великому князю Василию Васильевичу Тёмному и крестившегося мурзы Багрима. Старший сын его, Дмитрий Нарбеков, был родоначальником Нарбековых и Державиных.

В щите, разделённом горизонтально на две части, в верхней в красном поле на левой стороне находится серебряная крепость с тремя башнями, из коих на средней видна серебряная луна, а на крайних двух по золотой звезде. На правой стороне изображён скачущий к крепости на коне воин, поражённый в глаз стрелой и с пушечным ядром оторванной рукой, держащий меч. В нижней части: в правом золотом поле посередине означена перпендикулярная меховая полоса; в левом голубом поле изображены золотом: крест, над ним корона и внизу луна, рогами вверх обращённая.

На поверхности щита видна красная чалма с пером, над ней натянутый лук и стрела meat tenderiser tool, летящая вверх; а на краях щита поставлены два шлема, имеющие по три страусовых пера yellow goalkeeper gloves, среднее голубого цвета, с лавровым венком. Намёт на щите голубой, подложен золотом running bottle belt. Герб внесён в Общий гербовник дворянских родов Всероссийской империи, часть 4, стр. 45.

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