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Illuyankas

February 7th, 2018

Illuyankas (ook geschreven als Illuyanka) is een slang uit de onderwereld, en een draak uit de Hettitische mythologie. Deze mythologie werd sterk beïnvloed door elementen uit de Hatti en de Hurri mythologie. De strijd tussen de stormgod Teshub en de draak Illuyankas heeft een Hettitische oorsprong. De draak is daar symbool van het kwaad, volgens de oude Anatoliërs van wie ze het verhaal erfden, waarmee de stormgod Teshub vocht en zwaar verloor. Het is niet duidelijk welk geslacht deze slang heeft, mannelijk of vrouwelijk.

Illuyankas wist Teshub in Kiskullissa te verslaan. Er zijn verschillende versies over wat daarop volgde. Teshub kwam gehavend uit de strijd volgens 2 versies van Hittitische mythen.

In een daarvan gaf de Hatti-godin Inaras ter ere van Illuyankas en zijn kinderen een groot feestmaal. Toen zij zich zo volgevreten hadden, dat ze hun hol niet meer in konden, bond de sterveling Hupasiyas – Inaras’ geliefde – hem met een touw best fanny pack for runners. Daarna kwam haar vader, de stormgod, en samen met een aantal andere goden doodde hij de draak.

Een latere versie geeft een ander verhaal. De stormgod Teshub en de draak Illuyanka leveren strijd small waist pouch, waarbij de draak wint en de ogen en het hart (symbolen van medelijden en begrip) ontrukt aan de stormgod. Hierop wil de stormgod wraak nemen en hij huwt met de godin Hebat, de dochter van een sterveling, Arm genaamd. Zij verkrijgen een zoon Sharruma. Deze huwt later de dochter van de draak Illuyankas. Theshub vraagt aan zijn zoon om zijn ogen en zijn hart als huwelijksgeschenk. Aldus weer volledig hersteld, gaat de stormgod opnieuw de strijd aan met de draak. Wanneer de draak op het punt staat de strijd te verliezen, ontdekt Sharruma de ware toedracht van de zaak en beseft dat hij gebruikt werd best leak proof water bottle. Hij vraagt aan zijn vader om ook gedood te worden. Aldus doodt de stormgod de draak en zijn eigen zoon met donder en bliksem. Deze versie staat geïllustreerd op het kalkstenen reliëf, dat gevonden werd in Malatya en dateert ongeveer van 1050-850 v.Chr.

Deze mythe is een goede weergave van het eeuwige dualisme&nbsp best water bottles for travel;: de strijd tussen goed en kwaad.

De mythe werd later overgenomen in de Griekse mythologie als de die van de strijd tussen de hemelgod Zeus en Typhon, het serpent met de honderd vuurspuwende drakenkoppen.

Er is ook een verwantschap tussen Illuyankas en de Leviathan uit de Bijbel (Psalm 104:26).

Illuyankas is waarschijnlijk een samengesteld woord, waarbij tweemaal een woord voor “slang” werd gebruikt, nl. het Proto-Indo-Europese woord “illu” en het Hurri woord “anka”. Gebruikt men het tweede woord voor het eerste, dan bekomt het Latijnse woord “anguilla” (aal). Het woord “illu” is etymologisch verwant met ons woord “aal” en het Engelse “eel”, terwijl het woord “anka” verwant is met Sanskriet “ahi”.

Een andere etymologie gaat in de richting van een oorspronkelijke naam “Eluy-anka” (de slang van El), bewaker van de Elohim, het pantheon van alle West-Semitische godheden. In de mythologie van Kanaän wordt hij Lotan genoemd.

Wielki zespół mieszkaniowy Siemensstadt

February 7th, 2018

Wielki zespół mieszkaniowy Siemensstadt (niem.: Großsiedlung Siemensstadt), także Osiedle Pierścienia (niem.: Ringsiedlung) – modernistyczne osiedle domów mieszkalnych w Berlinie, w dzielnicy Charlottenburg-Nord

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. Wzniesione w latach 1929–1931 pod kierunkiem Hansa Scharouna, powiększyło istniejące już wtedy osiedle Siemensstadt. Domy w duchu neues Bauen zaprojektowali znani niemieccy architekci z okresu Republiki Weimarskiej: Walter Gropius, Otto Bartning, Hugo Häring, Fred Forbat i Paul Rudolf Henning. Tereny wokół osiedla rozplanował Leberecht Migge.

W lipcu 2008 osiedle Siemensstadt wraz z pięcioma innymi modernistycznymi zespołami mieszkaniowymi Berlina zostało wpisane na listę dziedzictwa kulturowego UNESCO.

Osiedle powstało w Charlottenburgu wokół Goebelplatz w bliskim sąsiedztwie zakładów Siemensa zatrudniających 60 000 pracowników. Zostało sfinansowane przez miasto po tym, jak Martin Wagner został głównym planistą Berlina. Do pracy nad osiedlem wybrano sześciu architektów: Hansa Scharouna, Waltera Gropiusa, Hugo Häringa, Otto Bartninga tennis team uniforms, Freda Forbata i Paula Rudolfa Henninga.

Hans Scharoun zrealizował tu koncepcję przestronnego, luźno zabudowanego osiedla z dużą liczbą pasów zieleni, która stała się wzorem dla budownictwa mieszkalnego po II wojnie światowej. Architektura kompleksu zrywała z koncepcją domów jednorodzinnych i ogrodów indywidualnych, oferując wielopiętrowe bloki o interesujących detalach

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, odróżniające je od późniejszych blokowisk powojennych – fasady z beżowej cegły i nietypowe nerkowate balkony bloku przy Goebelstrasse projektu Hugo Häringa czy przypominające żagle metalowe SHEATS balkonów bloku przy Jungfernheideweg projektu Hansa Scharouna).

W większości pięciopiętrowe domy ustawiono w równoległe rzędy z północy na południe. Na szczególną uwagę zasługuje budynek projektu Scharouna przypominający okręt wojenny i z tego powodu zwany pancernym krążownikiem (niem. Panzerkreuzer).

Ulice i place osiedla noszą nazwy upamiętniające inżynierów cheapest footy shirts, wynalazców i fizyków, którzy przyczynili się do sukcesów firmy Siemens AG.

Osiedle Siemensstadt nazywane jest też Osiedlem Pierścienia (niem. Ringsiedlung), upamiętniając fakt przynależności jego budowniczych do stowarzyszenia niemieckich architektów Der Ring (pol. pierścień) propagującego idee nowej rzeczowości w architekturze.

Langer Jammer przy Goebelstr. 45–69 projektu Otto Bartninga

Budynki przy Mäckeritzstraße 6–14 projektu Hansa Scharouna

Laubenganghaus przy Heilmannring 64a projektu Hansa Scharouna

Budynek przy Goebelstr. 50 ff projektu Hugo Häringa

Literatura dodatkowa

Primacy of Ireland

February 7th, 2018

The Primacy of Ireland was historically disputed between the Archbishop of Armagh and the Archbishop of Dublin until finally settled by Pope Innocent VI. Primate is a title of honour denoting ceremonial precedence in the Church, and in the Middle Ages there was an intense rivalry between the two archbishoprics as to seniority. Since 1353 the Archbishop of Armagh has been titled Primate of All Ireland and the Archbishop of Dublin Primate of Ireland, signifying that they are the senior churchmen in the island of Ireland, the Primate of All Ireland being the more senior. The titles are used by both the Roman Catholic and Church of Ireland bishops. The distinction mirrors that in the Church of England between the Primate of All England, the Archbishop of Canterbury, and the Primate of England, the Archbishop of York.

The episcopal see of Dublin was created in the eleventh century, when Dublin was a Norse city state. Its first bishop, Dúnán (or Donatus), was described at his death as “chief bishop of the Foreigners”. From the first, Dublin had close ties to the see of Canterbury. The fifth bishop of Dublin, Gregory, was only a subdeacon when he was elected bishop by what Aubrey Gwynn called “the Norse party in the city”. He was sent to England where he was consecrated by Archbishop Ralph of Canterbury, but on his return he was prevented from entering his see by those who wanted Dublin integrated with the Irish hierarchy. A compromise was reached by which Gregory was recognised as bishop of Dublin, while he in turn accepted the authority of Cellach, archbishop of Armagh, as primate. In 1152 best water bottle for office, the Synod of Kells divided Ireland between the four archdioceses of Armagh, Dublin, Cashel and Tuam. Gregory was appointed archbishop of Dublin. The papal legate, Cardinal John Paparo, also appointed the archbishop of Armagh “as Primate over the other bishops, as was fitting glass water containers.”

Henry de Loundres, archbishop of Dublin from 1213 to 1228, obtained a bull from Pope Honorius III prohibiting any archbishop from having the cross carried before him (a symbol of authority) in the archdiocese of Dublin without the consent of the archbishop of Dublin. A century later, this bull led to a confrontation between Richard FitzRalph best cheap water bottle, archbishop of Armagh, and Alexander de Bicknor, archbishop of Dublin, when FitzRalph, acting on letters of King Edward III specifically allowing him to do so, entered Dublin in 1349 “with the cross erect before him”. He was opposed by the prior of Kilmainham on the instructions of Bicknor, and forced to withdraw to Drogheda. On Bicknor’s death, and the succession of John de St Paul to the see of Dublin, King Edward revoked his letters to FitzRalph and forbade the primate to exercise his jurisdiction in Dublin. In 1353 the matter was referred to Avignon. There Pope Innocent VI, acting on the advice of the College of Cardinals, ruled that “each of these prelates should be Primate; while, for the distinction of style, the Primate of Armagh should entitle himself Primate of All Ireland, but the Metropolitan of Dublin should subscribe himself Primate of Ireland.”

The Archbishop of Armagh’s leading status is based on the belief that his See was founded by St. Patrick, the city of Armagh thus being the ecclesiastical capital of Ireland. On the other hand, Dublin is the political, cultural, social, economic and secular centre of Ireland, and has been for many centuries, thus making the Archbishop of Dublin someone of considerable influence, with a high national profile.

Dispute has “flared up” on a number of occasions, including in 1672 between Catholic archbishops Oliver Plunkett of Armagh and Peter Talbot of Dublin, and again in the late 18th century.

Since the 1870s one or other of the Catholic archbishops of Armagh and Dublin has been a member of the College of Cardinals. Due to Ireland’s small size, two Irish reigning diocesan cardinals are unlikely to be created. An apparent dominance of Dublin over Armagh was shown in the 1850s when the then Archbishop of Armagh, Paul Cullen was transferred from Armagh to the nominally inferior see of Dublin, where he became the most high-profile Catholic prelate in Ireland. Some years after the First Vatican Council, in which he played a central role in the proclamation of Papal Infallibility, he was made Ireland’s first cardinal, ahead of the nominally superior Archbishop of Armagh. Cullen’s successor in Dublin, Archbishop Edward MacCabe was also made a cardinal. But after that, the cardinal’s red hat went invariably to the Archbishop of Armagh, until Pope John Paul II awarded the red hat not to the low-key pastoral Seán Brady of Armagh, but to the higher-profile, more intellectual, and clearly conservative, Desmond Connell of Dublin. But in 2007 Pope Benedict XVI decided to give the honour again to the See of Patrick, creating Brady a cardinal rather than the reigning Archbishop of Dublin, Diarmuid Martin, previously a high-profile Vatican official.

At present the Archbishop of Armagh in the Roman Catholic Church is Eamon Martin. Richard Clarke holds the equivalent office in the Church of Ireland belt waist bag. The current Roman Catholic Archbishop of Dublin is Diarmuid Martin. The current Church of Ireland Archbishop of Dublin is Michael Jackson.

Beaver Township, Pike County, Ohio

February 6th, 2018

Beaver Township is one of the fourteen townships of Pike County glass travel water bottle, Ohio, United States glass water bottle canada. The 2000 census found 1,450 people in the township, 1,269 of whom lived in the unincorporated portions of the township.

Located in the eastern part of the county, it borders the following townships:

Part of the village of Beaver is located in southeastern Beaver Township.

Beaver Township most likely takes its name from Beaver Creek. Statewide tenderizer for steak, other Beaver Townships are located in Mahoning and Noble counties.

The township is governed by a three-member board of trustees, who are elected in November of odd-numbered years to a four-year term beginning on the following January 1. Two are elected in the year after the presidential election and one is elected in the year before it. There is also an elected township fiscal officer, who serves a four-year term beginning on April 1 of the year after the election, which is held in November of the year before the presidential election. Vacancies in the fiscal officership or on the board of trustees are filled by the remaining trustees.

Marché intérieur de l’énergie

February 4th, 2018

Le marché intérieur de l’énergie est constitué des marchés européens du gaz et de l’électricité. Il a pour origine le traité de Paris de 1951 qui a donné naissance à la CECA en 1952, le traité Euratom de 1957 et la déclaration de Messine de 1955

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. Dans cette dernière, les ministres européens affirmaient que des mesures devraient être mises en œuvre « pour développer les échanges de gaz et de courant électrique propres à augmenter la rentabilité des investissements et à réduire le coût des fournitures » et « pour coordonner les perspectives communes de développement de la production et de la consommation d’énergie et pour dresser les lignes générales d’une politique d’ensemble ».

Le marché intérieur de l’énergie a fait l’objet de plusieurs séries de directives et de règlements successifs, regroupés en « paquets législatifs ».

La libéralisation des marchés de l’énergie a commencé en 1997 pour l’électricité (Directive 96/92/CE) et en 2000 pour gaz naturel (Directive 98/30/CE).

En 2012, dans une communication intitulée « Pour un bon fonctionnement du marché intérieur de l’électricité » la Commission suggère l’adoption de nouveaux critères d’aides au développement de sources d’énergie renouvelables, puis en 2013, dans une communication elle prépare un nouveau cadre règlementaire européen. Les tarifs d’achat y seraient abandonnés au profit de « tarifs préférentiels » encourageant les producteurs d’énergie renouvelable à s’adapter aux conditions du marché de l’énergie, les aides devant respecter un cadre général européen basé sur une « analyse des coûts comparatifs » que la Commission souhaite entreprendre elle-même en complément des travaux engagés par l’OCDE et l’agence internationale de l’énergie, diminuant avec la maturation du marché, pour mieux « tenir compte de l’évolution du marché, de la technologie et de la société ».

Au sommet de Lisbonne des 23 et 24 mars 2000, les chefs d’État et de gouvernement ont affirmé leur volonté « d’accélérer la libéralisation dans des secteurs tels que le gaz et l’électricité ». Le Conseil de l’Union européenne du 25 novembre 2002 a conclu un accord prévoyant la libéralisation de ces marchés pour les clients non résidentiels au plus tard le 1er juillet 2004, suivie d’une ouverture complète pour tous les clients au plus tard le 1er juillet 2007.

Ces accords se sont traduits dans plusieurs textes adoptés en juin 2003, notamment :

Présenté en janvier 2007, le troisième paquet énergie a été adopté le 13 juillet 2009. Il concerne notamment, dans le domaine du gaz et celui de l’électricité :

Le paquet comprend cinq textes, dont deux directives qui nécessitent des mesures de transposition dans le droit interne :

Aux directives et règlements concernant directement le marché intérieur de l’énergie, s’ajoutent les textes du paquet climat-énergie, qui impactent indirectement la politique européenne de l’énergie.

La directive 96/92/CE du 19 décembre 1996, remplacée par la directive 2003/54/CE du 26 juin 2003, a prévu la mise en place, dans chaque État membre de l’Union européenne, d’agences de régulation des marchés de l’énergie.

La coordination entre les gestionnaires de réseau de transport passe par la définition de « codes de réseau » transfrontaliers, qui régissent la fourniture et la gestion d’un accès transfrontalier effectif et transparent aux réseaux de transport. Ces codes de réseau, qui s’ajoutent aux codes de réseau nationaux consacrés aux questions non transfrontalières, sont élaborés :

Le règlement no 713/2009 du 13 juillet 2009 a institué une Agence de coopération des régulateurs de l’énergie (ACER, selon son sigle anglophone). Elle est opérationnelle depuis le . L’Agence, dotée de la personnalité juridique lemon press machine, émet des avis et participe à la création des « codes de réseau » dans le domaine de l’électricité et du gaz. Elle pourra également prendre des décisions concernant les infrastructures transfrontalières, y compris des dérogations à certaines dispositions de la réglementation applicable.

Altenpflegehelfer

February 3rd, 2018

Altenpflegehelfer ist ein Ausbildungsberuf, der aufgrund der demografischen Entwicklung zunehmend an Bedeutung gewinnt. Altenpflegehelfer unterstützen Altenpfleger und Krankenpfleger in der Pflege und Betreuung älterer Menschen.

Altenpflegehelfer arbeiten als Angestellte in stationären Einrichtungen (z. B. Alten- und Pflegeheim, Krankenhaus), Demenzwohngemeinschaft, in teilstationären Einrichtungen (z. B. Tagespflege) oder ambulanten Diensten (z. B. Sozialstation, Ambulante Pflegedienste). Arbeitgeber sind u. a. Awo, Caritas, Deutscher Paritätischer Wohlfahrtsverband, Deutsches Rotes Kreuz, Diakonie, kommunale und private Träger. Teilweise bieten diese auch die entsprechende schulische Ausbildung an.

Altenpflegehelfer unterstützen alte Menschen bei der Körperpflege (Waschen, Duschen, Toilettengang), bei der Ernährung (Zubereiten und Aufnahme der Nahrung), in der Mobilität (An- und Auskleiden, Aufstehen und Zubettgehen, Umbetten), in der Haushaltsführung und begleiten sie bei Spaziergängen how to make meat tender quickly, Einkäufen oder Arztbesuchen. Sie bieten Gespräche an, regen zur Teilnahme an kulturellen Veranstaltungen an und helfen bei der Tagesgestaltung. Dabei ist die Hilfe so ausgerichtet, dass trotz altersbedingter Einschränkungen Selbstbestimmung und Eigenständigkeit soweit wie möglich erhalten bleiben. Für ihre Tätigkeit benötigen sie neben einer guten körperlichen Konstitution Einfühlungsvermögen, Geduld und Verantwortungsbewusstsein.

Wie allgemein in den Pflegeberufen sind die Berufsaussichten überdurchschnittlich gut: Laut Berufsinformation der Bundesagentur für Arbeit gibt es je nach Bundesland 0,2 bis 0,4 Bewerber pro ausgeschriebener Stelle (Stand 2017).

In Deutschland ist die Ausbildung landesrechtlich geregelt. Rechtliche Regelungen liegen für die Bundesländer Baden-Württemberg, Bayern, Brandenburg, Bremen, Hamburg how to tenderize beef, Hessen, Mecklenburg-Vorpommern, Nordrhein-Westfalen, Rheinland-Pfalz, Saarland, Sachsen-Anhalt, Schleswig-Holstein und Thüringen vor (Stand November 2017). Zuständig sind die nach dem Bundesgesetz erlassenden Landesbehörden.

Die Ausbildung findet in Berufsfachschulen statt und dauert in Vollzeit ein bis zwei Jahre, in Teilzeit zwischen zwei und drei Jahren. Auch die Zulassungsvoraussetzungen sind in den verschiedenen Bundesländern unterschiedlich, häufiger wird der Hauptschulabschluss als Voraussetzung genannt. Die Ausbildung schließt mit einer staatlichen Abschlussprüfung ab. Ein Informationsportal des Bundesministeriums für Familie, Senioren, Frauen und Jugend führt eine Liste von Altenpflegeschulen mit einer Suchfunktion nach Orten.

Die Ausbildung gliedert sich in einen praktischen und einen theoretischen Teil. In Praktika werden Erfahrungen in den berufstypischen Arbeitsmethoden und die Abläufe in Einrichtungen der Altenhilfe gesammelt. Zu den theoretischen Inhalten gehören körperlichen, psychische und soziale Veränderungen im Alter, altersbedingte und alterstypische Krankheiten, Methoden der Pflege und Unterstützung alter Menschen sowie die Planung und Dokumentation von Pflegeprozessen. Auch die Besonderheiten der Unterstützung von Menschen mit Demenz oder einer Behinderung und die Pflegesituation bei Schwerstkranken und sterbenden Menschen finden Berücksichtigung. Einen weiteren Bereich nehmen die Unterschiede zwischen stationärer und ambulanter Pflege ein sowie Informationen zu Trägern, Diensten und Einrichtungen der Altenpflegehilfe. Daneben werden einige allgemeinbildende Fächer, wie Deutsch, Wirtschafts- und Sozialkunde, gelehrt.

Die Finanzierung in der Zeit der Ausbildung ist unterschiedlich geregelt. Teilweise wird eine Ausbildungsvergütung gezahlt, teilweise sind Lehrgangsgebühren zu entrichten, die wiederum durch Bildungsgutscheine der Agentur für Arbeit abgedeckt sein können. Auch ist zur Absicherung der Lebenshaltungskosten die Beantragung von BAföG möglich.

Auch als Umschulung kann der Beruf zum Altenpfleger gewählt werden. Das Bundesministerium für Familie, Senioren, Frauen und Jugend betont die Eignung als beruflichen Neuanfang in der mittleren Lebensphase, etwa bei bestehender Arbeitslosigkeit oder nach der Familienphase. Für die persönlichen Eignung sei es wichtig, gern mit älteren Menschen zusammen zu sein und keine Scheu vor körpernaher praktischer Arbeit zu haben. Als weiteres Charakteristikum der Berufseignung werden ebenso die Fähigkeit zum eigenverantwortlichen Handeln wie zur Teamarbeit genannt. Bei Vorliegen der Fördervoraussetzungen kann die Umschulung durch Bildungsgutscheine der Agenturen für Arbeit finanziell unterstützt werde.

In den Ausbildungsstrukturen in Österreich und Schweiz kommt das Berufsbild in Unterscheidung zum Altenpfleger nicht vor.

Fortbildungen sind z. B fabric bobble remover. möglich in Medizinischer Behandlungspflege oder in speziellen Pflegemethoden für alte und demente Menschen wie der Validation (Pflege). Zu einer höheren beruflichen Qualifikation führen die Weiterbildungen zum Haus- und Familienpfleger oder zum Altenpfleger.

Elizabeth Granowska

February 3rd, 2018

Elizabeth Granowska or Elisabeth Pilecki (Polish: Elżbieta Granowska z Pileckich / Elżbieta z Pilczy; c.Tags: ,
Posted in Uncategorized | No Comments »

Hrithik Roshan

February 3rd, 2018

Hrithik Roshan (English: /ˈrɪtɪk ˈrɒʃən/, born 10 January 1974) is an Indian actor who appears in Bollywood films. He has portrayed a variety of characters and is known for his dancing ability. One of the highest-paid actors in India, he has won many awards, including six Filmfares, four for Best Actor and one each for Best Debut and Best Actor (Critics). Starting in 2012, he appeared in Forbes India‘s Celebrity 100 based on his income and popularity.

Roshan has frequently collaborated with his father, the filmmaker Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father’s films. His first leading role was in the box-office success Kaho Naa… Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble melodrama Kabhi Khushi Kabhie Gham… consolidated his reputation but were followed by several poorly received films.

The 2003 science fiction film Koi… Mil Gaya, for which Roshan won two Filmfare Awards, was a turning point in his career; he also appeared in its sequels: Krrish (2006) and Krrish 3 (2013). He earned praise for his portrayal of a thief in the 2006 adventure film Dhoom 2, Mughal emperor Akbar in the 2008 historical romance Jodhaa Akbar and a quadriplegic in the 2010 drama Guzaarish. He played the lead in the 2011 drama Zindagi Na Milegi Dobara, the 2012 revenge film Agneepath and the 2014 action comedy Bang Bang!, which ranks among the highest-grossing Indian films.

Roshan has also performed on stage and debuted on television with Just Dance (2011). As a judge on the latter, he became the highest-paid film star on Indian television. He is involved with a number of humanitarian causes, endorses several brands and products and has launched his own clothing line. Roshan was married for fourteen years to Sussanne Khan, with whom he has two children.

Roshan was born on 10 January 1974 in Mumbai to a Punjabi family prominent in Bollywood. His father, film director Rakesh Roshan, is the son of music director Roshanlal Nagrath; his mother, Pinky, is the daughter of producer and director J. Om Prakash. His uncle, Rajesh, is a music composer. Roshan has an older sister, Sunaina, and was educated at the Bombay Scottish School. Roshan is of part Bengali ancestry from his paternal grandmother’s side. Although Roshan practices Hinduism, he says that “I’m not religious. I don’t visit temples. But I hope there is a superpower.”

Roshan felt isolated as a child; he was born with an extra thumb fused to the one on his right hand, which led some of his peers to avoid him. He has stammered since the age of six; this caused him problems at school, and he feigned injury and illness to avoid oral tests. He was helped by daily speech therapy.

Roshan’s grandfather, Prakash first brought him on-screen at the age of six in the film Aasha (1980); he danced in a song enacted by Jeetendra, for which Prakash paid him 100 (US$1.60). Roshan made uncredited appearances in various family film projects, including his father’s production Aap Ke Deewane (1980). In Prakash’s Aas Paas (1981), he appeared in the song “Shehar Main Charchi Hai”. The actor’s only speaking role during this period came when he was 12; he was seen as Govinda, the title character’s adopted son, in Prakash’s Bhagwaan Dada (1986). Roshan decided that he wanted to be a full-time actor, but his father insisted that he focus on his studies. In his early 20s, he was diagnosed with scoliosis that would not allow him to dance or perform stunts. Initially devastated, he eventually decided to become an actor anyway. Around a year after the diagnosis, he took a chance by jogging on a beach when he was caught in a downpour. There was no pain, and becoming more confident, he was able to increase his pace with no adverse effects. Roshan sees this day as “the turning point of [his] life.”

Roshan attended Sydenham College, where he took part in dance and music festivals while studying, graduating in commerce. Roshan assisted his father on four films—Khudgarz (1987), King Uncle (1993), Karan Arjun (1995) and Koyla (1997)—while also sweeping the floor and making tea for the crew. After pack-up, Roshan would enact Shah Rukh Khan’s scenes from Koyla and film himself to make a judgement about his performance as an actor. While he assisted his father, he studied acting under Kishore Namit Kapoor.

Roshan was originally scheduled to make his screen debut as a lead actor opposite Preity Zinta in the cancelled film Shekhar Kapur’s Tara Rum Pum Pum. Instead, he starred in his father’s romantic drama Kaho Naa… Pyaar Hai (2000) opposite another debutante, Ameesha Patel. Roshan played dual roles: Rohit, an aspiring singer brutally killed after witnessing a murder, and Raj, an NRI who falls in love with Patel’s character. To prepare, he trained with the actor Salman Khan to bulk up physically, worked to improve his diction and took lessons in acting, singing, dancing, fencing and riding. With global revenues of 620 million (US$9.7 million), Kaho Naa… Pyaar Hai became the highest-grossing Indian film of 2000. His performance was acclaimed by critics; Suggu Kanchana on Rediff.com wrote, “[Roshan] is good. The ease and style with which he dances, emotes, fights, makes one forget this is his debut film […] He seems to be the most promising among the recent lot of star sons we have been subjected to.” For the role, Roshan received Best Male Debut and Best Actor Awards at the annual Filmfare Awards, IIFA Awards, and Zee Cine Awards. He became the first actor to win both Filmfare Best Debut and Best Actor awards the same year. The film established Roshan as a prominent actor in Bollywood. The actor found life hard after his overnight success, particularly the demands on his time.

In his second release, Khalid Mohammed’s crime drama Fiza, Roshan played Amaan, an innocent Muslim boy who becomes a terrorist after the 1992–93 Bombay riots. Roshan appeared in the film to expand his horizons as an actor. Co-starring Karisma Kapoor and Jaya Bachchan, Fiza was moderately successful at the box office, and Roshan’s performance earned him a second nomination for Best Actor at the Filmfare ceremony. Taran Adarsh of Bollywood Hungama praised him as the production’s prime asset, commending his “body language, his diction, his expressions, [and] his overall persona.” Roshan next appeared in Vidhu Vinod Chopra’s action drama Mission Kashmir (2000) alongside Sanjay Dutt, Preity Zinta, and Jackie Shroff. Set in the valley of Kashmir during the Indo-Pakistani conflicts, the film addressed the topics of terrorism and crime, and was a financial success. Roshan was drawn to his complex role of a young man traumatised by the discovery that his adoptive father had been responsible for the death of his entire birth family. In Adarsh’s opinion, Roshan “brightens up the screen with his magnetic presence. His body language, coupled with his expressions, is sure to win him plaudits.”

In 2001, Roshan appeared in two films, the first of which was Subhash Ghai’s Yaadein, a romantic drama which paired him with Kareena Kapoor and reunited him with Shroff. Although highly anticipated, Yaadein was reviled by critics; in The Hindu, Ziya Us Salam criticised the director for relying on Roshan’s commercial appeal. Roshan next had a supporting role in Karan Johar’s ensemble melodrama Kabhi Khushi Kabhie Gham… alongside Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan, Kajol and Kareena Kapoor. He was cast as Rohan Raichand—the younger son of Bachchan’s character who plots to reunite him with his adopted son (played by Khan)—after Johar had watched a rough cut of Kaho Naa water bottle with a straw… Pyaar Hai. Kabhi Khushi Kabhie Gham… finished as India’s second highest-grossing film of the year, and among the most successful Bollywood films in the overseas market, earning over 1 billion (US$16 million) worldwide. Writing for Rediff.com, Anjum N described Roshan as “the surprise scene-stealer”, praising him for holding his own against the established actors. Roshan received a nomination for the Filmfare Award for Best Supporting Actor for his performance.

In 2002 Vikram Bhatt’s romance Aap Mujhe Achche Lagne Lage reunited him with Ameesha Patel but failed at the box office, as did Arjun Sablok’s romance Na Tum Jaano Na Hum (2002). Roshan’s final role that year was in a Yash Raj Films production, the high-profile Mujhse Dosti Karoge! co-starring Rani Mukerji and Kareena Kapoor. The romantic drama was heavily promoted before its release and made money internationally, though not in India. In another commercial failure, Sooraj R. Barjatya’s Main Prem Ki Diwani Hoon, Roshan was cast alongside Kareena Kapoor for the fourth time, and Abhishek Bachchan. The press labeled Roshan a “one-trick pony” and suggested that the failure of these films would end his career.

Roshan’s career began to revive with a starring role in Koi… Mil Gaya (2003). The film, directed and produced by his father, centers on his character Rohit Mehra, a developmentally disabled young man, who comes in contact with an extraterrestrial being—a role that required him to lose nearly 8 kilograms (18 lb). Roshan recalls the experience of starring in the film fondly: “I could live my childhood [again]. I could eat as many chocolates as I wanted. I became a baby and everybody was so caring towards me.” In the book Film Sequels, Carolyn Jess-Cooke drew similarities between the character and Forrest Gump, portrayed by Tom Hanks in the titular film, but this idea was dismissed by Roshan. Film critics were polarised on their view of the film—some of them negatively compared its storyline to the 1982 Hollywood release E.T. the Extra-Terrestrial—but were unanimous in their praise for Roshan. In a 2010 retrospective of the Top 80 Iconic Performances of Bollywood, Filmfare noted “how flesh and blood Hrithik’s act is. Simply because he believes he is the part. Watch him laugh, cry or bond with his remote controlled alien friend and note his nuanced turn.” A Rediff.com critic agreed that Roshan was “the turbojet that propels the film to the realm of the extraordinary.” Koi… Mil Gaya was the most popular Bollywood film of the year, earning 800 million (US$13 million), and Roshan won both Filmfare Awards for Best Actor and Best Actor (Critics).

The following year, Roshan collaborated with Amitabh Bachchan and Preity Zinta on Farhan Akhtar’s Lakshya (2004), a fictionalised coming-of-age story set against events from the 1999 Kargil War. He also featured in the item number “Main Aisa Kyun Hoon” (choreographed by Prabhu Deva) which proved popular with audiences. The film earned Roshan Best Actor nominations at the Filmfare and Zee Cine ceremony. Manish Gajjar of the BBC praised Roshan’s versatility and his transformation from a carefree youth to a determined and courageous soldier.

Roshan was not seen on screen again until 2006, with three new releases, including a cameo at the end of the year in the romance I See You. He co-starred with Naseeruddin Shah and Priyanka Chopra in his father’s superhero production Krrish. A follow-up to his family’s production Koi… Mil Gaya, it saw him play dual roles—the title superhero and his character from the original film. Before production, Roshan traveled to China to train with Tony Ching for the cable work that would be needed to make his character fly. He sustained several injuries during production. For example, he tore the hamstring in his right leg and broke his thumb and toe. Krrish became the second-highest-grossing Bollywood film of 2006 with a worldwide revenue of 1.17 billion (US$18 million). It garnered him Best Actor awards at the 2007 Screen and the International Indian Film Academy Awards. Ronnie Scheib of Variety considered Roshan a prime asset of the film, noting that he “pulls off the pic’s wilder absurdities with considerable panache.”

For his role as an enigmatic master thief in Dhoom 2 (2006)—an action sequel co-starring Aishwarya Rai, Bipasha Basu and Abhishek Bachchan—Roshan won his third Filmfare Award for Best Actor. The film critic Rajeev Masand called him “the heart, the soul, and the spirit of the film”, and praised his stunts, concluding that he “holds the film together and even manages to take your attention away from its many flaws.” Bored by playing the “good guy”, Roshan was excited to play a villain for the first time. At the request of the film’s producer Aditya Chopra, Roshan lost 12 pounds (5.4 kg) for the role, and learned skateboarding, snow boarding, rollerblading and sand surfing. With earnings of 1.5 billion (US$24 million), Dhoom 2 became the highest-grossing Indian film of all time, a distinction it held for two years. In the 2007 melodrama Om Shanti Om, he made a cameo alongside several Bollywood stars.

In 2008, Roshan was cast in Ashutosh Gowariker’s Jodhaa Akbar, a partly fictionalised account of a marriage of convenience between the Mughal emperor Jalaluddin Muhammad Akbar (played by Roshan) and the Rajput princess Jodha Bai (played by Rai). Gowariker believed Roshan possessed the regal bearing and physique required to play the role of a king. For the role, Roshan learned sword-fighting and horse-riding, and also took Urdu lessons. Jodhaa Akbar earned 1.12 billion (US$18 million) worldwide. Roshan’s performance earned him his fourth Filmfare Best Actor Award as well as his first international award –”Best Actor” at the Golden Minbar International Film Festival in Kazan, Russia. Critics were generally appreciative of Roshan’s performance. Raja Sen of Rediff.com thought that Roshan “proves a very good Akbar. There are times when his inflection seems too modern, but the actor gives the performance his all, slipping into the skin of the character and staying there.” Roshan ended 2008 with an appearance in the popular item number “Krazzy 4” from the film of same name

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Following a small role in Zoya Akhtar’s Luck by Chance in 2009, Roshan starred in and recorded “Kites in the Sky” for the multi-national romantic thriller Kites (2010). In the film, produced by his father, he played a man running a green card scam in Las Vegas in which he has married 11 different women in exchange for money. Kites opened on a record-breaking 3000 screens, and became the first Bollywood film to break into the North American top 10. However, the film eventually underperformed at India’s box office and received negative reviews from critics. The website Box Office India attributed this failure to its multilingual dialogues. In a review for Rediff.com, Matthew Schneeberger thought that Roshan “overacts. A lot. In Kites, he nails a few scenes, but bungles many more, particularly the film’s catastrophically bad ending.”

Roshan then collaborated with director Sanjay Leela Bhansali on the drama Guzaarish (2010) in which he had the role of Ethan Mascarenhas, a former magician suffering from quadriplegia, who after years of struggle, files an appeal for euthanasia. Roshan had reservations about the role but agreed to the project after reading the film’s story. To understand his role better, he interacted with paraplegic patients. In his own words, “I used to spend six hours with the patients, initially once a week and then once a month. I used to go to understand what they go through, what they think, what their needs are. They have taught me a lot of things.” He also trained with a Ukrainian magician to perform the film’s magic stunts, and put on weight to look the part. The film failed at the box office, though it and Roshan’s performance were positively received by critics. A writer for Zee News praised the chemistry between Roshan and Rai, adding that they “break the Bollywood mould of stereotypes.” Roshan received the Zee Cine Award for Best Actor (Critics) and nominations for Filmfare, IIFA and Zee Cine Award for Best Actor.

In 2011, Roshan appeared in Zoya Akhtar’s ensemble comedy-drama Zindagi Na Milegi Dobara alongside Abhay Deol and Farhan Akhtar as three friends who embark on a bachelor trip where they overcome their insecurities. Zoya cast Roshan in the role of an uptight workaholic as she considers him her favourite actor. For the film’s soundtrack, Roshan recorded the song “Señorita” with his co-stars and María del Mar Fernández. Zindagi Na Milegi Dobara was released to positive reviews and Roshan’s performance was praised. Rajeev Masand wrote, “Hrithik Roshan once again brings real depth to his character with a spectacular performance. He’s shy and restrained, then lets go with such fantastic intensity that you make the inward journey with his character.” The film grossed 1.53 billion (US$24 million) worldwide and became Roshan’s first commercial success in three years. He was nominated for another Filmfare Award for Best Actor for his performance. Later that year, he made a special appearance in Farhan’s Don 2.

Roshan’s only screen appearance in 2012 was in Karan Malhotra’s Agneepath, a retelling of the 1990 film of the same name. Cast alongside Rishi Kapoor, Sanjay Dutt and Priyanka Chopra, Roshan reinterpreted the character Vijay Deenanath Chauhan (originally played by Amitabh Bachchan), a common man who seeks revenge against an unscrupulous man for framing and murdering his father. Roshan was initially skeptical of taking up a role earlier played by Bachchan, and thought hard before accepting. He did not watch the original film for inspiration as he found his role to be completely different. In one of several accidents to happen during production, Roshan suffered a painful back injury. He deemed Agneepath “the hardest [project] I’ve ever worked in my life” owing to the exhaustion he felt while filming. The film broke Bollywood’s highest opening-day earnings record, and had a worldwide gross of 1.93 billion (US$30 million). A Firstpost reviewer thought Roshan “breathes fire and soul into Agneepath“. The actor was rewarded with another Filmfare nomination and a third consecutive Stardust Award for Best Actor in a Drama, having won previously for Guzaarish and Zindagi Na Milegi Dobara.

Roshan appeared in the third instalment of the Krrish film series—Krrish 3 (2013) which also starred Priyanka Chopra, Vivek Oberoi and Kangana Ranaut. During production, Roshan was injured when he fell down. Critics thought that the film was entertaining but lacking in originality, though Roshan’s performance garnered praise. The editor Komal Nahta lauded Roshan for playing three different characters in the film, and the actor received his eleventh Filmfare nomination for Best Actor. Krrish 3 grossed 2.91 billion (US$46 million) worldwide, becoming one of the highest-grossing Indian films of all time.

Roshan received a fourth consecutive Filmfare nomination for his performance in the 2014 action comedy Bang Bang!, a remake of the 2010 Hollywood release Knight and Day and one of the most expensive Bollywood films. Playing the role of an eccentric secret agent who plots to track down a terrorist, Roshan became the first actor to perform a flyboarding stunt in film. While filming in Thailand, Roshan suffered a head injury from a stunt accident and underwent brain surgery to relieve a chronic subdural hematoma. The critic Mohar Basu noted that Roshan was “pitch perfect” and “breez[ed] through his part brilliantly.” The film earned 3.4 billion (US$53 million) in global ticket sales, making it among the highest-grossing Indian films.

For playing the role of a farmer in 2016 BC who travels to Mohenjo-daro in Ashutosh Gowariker’s Mohenjo Daro (2016), Roshan was paid 500 million (US$7.9 million), a record-breaking remuneration for an Indian actor. He underwent a three-month training to achieve the “lithe” and “agile” physique required for his role. Despite being a highly anticipated release, it failed commercially, and critics were generally unenthusiastic. Dismissing the film as an “unintentional comedy”, Anupama Chopra wrote that Roshan “pours his soul into every scene. But the burden of carrying this leaden, cartoon-like narrative proves too much even for his Herculean shoulders.” Roshan was next seen alongside Yami Gautam in Sanjay Gupta’s Kaabil (2017), a romantic thriller about a blind man who avenges the rape of his blind wife. To ensure authenticity in his portrayal, Roshan locked himself in a room for four days and avoided contact with people. Reviews for the film were generally positive with particular praise for Roshan’s performance. Meena Iyer of The Times of India found his performance to be his best to date, and Shubhra Gupta on The Indian Express considered him “the only bright spot in this dispirited mess of a movie.” The film accumulated 1.96 billion (US$31 million) worldwide.

In September 2017, it was confirmed that Roshan would play mathematician Anand Kumar in Vikas Bahl’s biopic, Super 30. This will release on 25 January 2019. Later that month, Roshan confirmed he would appear alongside Tiger Shroff in Yash Raj Films’ (with which he previously collaborated in 2006 in Dhoom 2) untitled project, set for release in January 2019. He will also appear in the fourth instalment of the Krrish film series—Krrish 4 set for a release in Christmas 2020.

Roshan has performed on stage, appeared on television, and launched a clothing line. His first tour (Heartthrobs: Live in Concert (2002) with Kareena Kapoor, Karisma Kapoor, Arjun Rampal and Aftab Shivdasani) was successful in the United States and Canada. At the end of that year, he danced on stage with Amitabh Bachchan, Sanjay Dutt, Kareena Kapoor, Rani Mukerji and Shah Rukh Khan at Kings Park Stadium in Durban, South Africa in the show Now or Never. In 2011, Roshan served as a judge alongside Farah Khan and Vaibhavi Merchant for the dance competition reality show, Just Dance. He became the highest-paid film star on Indian television after he was paid 20 million (US$310,000) per episode. The show ran from June to October 2011. In November 2013, Roshan launched his clothing line, the casual wear brand HRx.

Roshan is vocal about his childhood stammer. He actively supports the Dilkhush Special School for mentally challenged children in Mumbai. In 2008, he donated 2 million (US$31,000) to the Nanavati Hospital for the treatment of stammering children. Roshan set up a charity foundation in 2009 that aims to work for handicapped people. He donates roughly 700,000 (US$11,000) for charity every month, and believes that people should publicise their philanthropic work to set an example for others. In 2013, he took part in a festivity at Ghatkopar, whose proceeds went to an NGO supporting tribal girls suffering from malnutrition and starvation. Also that year, he donated 2.5 million (US$39,000) to help the victims of the 2013 North India floods.

Alongside other Bollywood stars, Roshan played a football match for charity organised by Aamir Khan’s daughter, Ira, in 2014. The following year, he appeared with Sonam Kapoor in the music video for “Dheere Dheere”, whose profits were donated to charity. Later that year, Roshan became the Indian brand ambassador for UNICEF and the Global Goals campaign’s World’s Largest Lesson that aims to educate children in over 100 countries about the Sustainable Development Goals. In 2016, Roshan and other Bollywood actors made donations for building homes for families affected by the 2015 South Indian floods.

Following his debut film, Roshan signed on for endorsement deals with Coca-Cola, Tamarind and Hero Honda, all for three years and for at least 30 million (US$470,000). As of 2010, he is celebrity endorser for such brands and products as Provogue, Parle Hide and Seek, Reliance Communications and Hero Honda. The Times of India reported that Roshan received 12 million (US$190,000) to 15 million (US$240,000) for each endorsement, making him one of the highest-paid male celebrity endorsers. In 2016, Duff & Phelps estimated his brand value to be US$34.1 million, the eighth highest of Indian celebrities.

On 20 December 2000, Roshan married Sussanne Khan in a private ceremony in Bangalore. Despite their religious difference—Roshan is a Hindu and Khan is a Muslim—Roshan says that he equally valued her beliefs. The couple has two sons, Hrehaan (born in 2006) and Hridhaan (born in 2008). They separated in December 2013 and their divorce was finalised in November 2014.

Though Roshan maintained that they parted amicably, the media reported that the split was due to infidelity on his part, linking him with several actresses, most notably his Krrish 3 co-star Kangana Ranaut. Roshan denied having an affair with the actress, and filed a lawsuit against her in 2016 accusing her of cyber stalking and harassment. Denying the charges, Ranaut filed a counter-charge against Roshan, claiming that his lawsuit was an attempt to cover up their affair for the benefit of his divorce proceedings. Owing to a lack of evidence, the Mumbai Police closed the case later that year.

Roshan considered quitting the film industry after two assailants fired bullets at his father in 2000. Later that December, he was involved in a controversy when Nepalese newspapers accused him of stating in a Star Plus interview that he hated Nepal and its people. This led to protests in the country, a ban on screening of his films, and four people’s deaths after street violence. Nepalese people threatened to “bury [him] alive” if he ever visited the country. Star Plus, for its part, stated that Roshan “did not touch upon Nepal.” The violence calmed down after Roshan wrote a two-page rejoinder in which he denied having made any claim against the country. Nepali actress Manisha Koirala helped distribute it to newspapers and a local television station.

As the son of the filmmaker Rakesh, Roshan faced the media spotlight from a young age. Discussing nepotism in Bollywood, Shama Rana views him as one of several actors who managed film careers with the help of family relations in the industry. On the other hand, Roshan is acknowledged in the media as one of the most talented Indian actors of his generation, for his devotion to his work and for his ability to commit heavily to each role. He insists on learning any necessary skills and performing stunts himself, and is particularly known for his professionalism. The director Ashutosh Gowariker praised Roshan when he continued filming Mohenjo Daro despite several injuries and being in a troubled state of mind. Zoya Akhtar, who considers Roshan her favourite actor, and directed him in Zindagi Na Milegi Dobara, remarks on his ability to display a range of emotions on screen.

Roshan intentionally takes on diverse parts in an attempt to not be typecast. He looks at the scripts as a platform to inspire with the strength and courage of his characters and to make his audiences smile. Roshan was noted by critics for his versatility in portraying a variety of characters in Koi… Mil Gaya (2003), Lakshya (2004), Jodhaa Akbar (2008), and Guzaarish (2010). Box Office India ranked him first on its top actors listing in 2000 and later included him in 2003, 2004, 2006 and 2007. Roshan topped Rediff.com’s list of best Bollywood actors in 2003, and was ranked fourth in 2006. Filmfare magazine included two of his performances—from Koi… Mil Gaya and Lakshya—on its 2010 list of 80 Iconic Performances. In March 2011, Roshan placed fourth on Rediff.com’s list of Top 10 Actors of 2000–2010. Roshan’s dancing ability has also drawn praise from the media, an opinion he disagrees with. The Los Angeles Times finds him to be “a sensational dancer” who “has the dashing, chiseled looks of a silent movie matinee idol.” Some critics also believe that he is only able to dance and act in his father’s films. His inclination towards “glamorous, albeit empty parts”, which conform to character stereotypes, has been criticised. Roshan’s rise has been charted in a series of interviews and articles by the UK based journalist Fuad Omar. In his book, Bollywood: An Insider’s Guide, Omar criticized the flippant press treatment of Roshan which heralded him as the next superstar one moment and declared his career over the next.

Roshan is among Bollywood’s highest-paid actors. In a 2014 article Daily News and Analysis credited him as “the most bankable star” in Bollywood. One of the most high-profile Indian celebrities, he was named the second most powerful Indian film star by Forbes in 2001. He ranked fourth in Filmfare Power List in 2007. In a 2009 poll conducted by Daily News and Analysis Roshan was voted one of India’s most popular icons. At the 2009 FICCI-IIFA Awards, Roshan was one of the ten recipients of the most powerful Bollywood entertainers of the 2000s. From 2012–2016, Roshan was placed on Forbes India‘s Celebrity 100—a list based on the income and popularity of Indian celebrities—peaking at ninth position in 2014 with an annual income of 850 million (US$13 million).

Roshan has established himself as a sex symbol and a style icon in India. In 2006, Roshan was one of the four Bollywood actors, along with Priyanka Chopra, Kajol and Shah Rukh Khan, whose miniature dolls were launched in the United Kingdom, under the name of “Bollywood Legends”. He topped The Times of India‘s listing of 50 Most Desirable Men in 2010 and ranked among the top five for the next five years. In 2010 and 2012, the Indian edition of GQ included him in their listing of Bollywood’s best dressed men. A life-size, wax figure of him was installed at London’s Madame Tussauds museum in January 2011, making him the fifth Indian actor to have been replicated as a wax statue there. Versions of the statue were installed at Madame Tussauds’ museums in New York, Washington and other cities in the world. Roshan regularly features in the magazine Eastern Eye‘s listing of the 50 Sexiest Asian Men. He topped the list in 2011, 2012 and 2014, and featured among the top five in 2010, 2013, 2015, 2016 and 2017.

Simple dames du Championnat d’Australie 1960

February 3rd, 2018

Championnat d’Australie 1960

Championnat d’Australie
Simple dames

Grands Chelems 1960
Simple dames

Cet article présente les résultats détaillés du simple dames de l’édition 1960 des championnats de tennis d’Australie qui est disputé du 22 janvier au . Ce tournoi est le premier de la tournée du Grand Chelem.

Margaret Smith Court bat Jan Lehane en finale de cette édition&nbsp youth football uniforms packages; professional meat tenderizer; elle décroche à cette occasion son 1er titre du Grand Chelem.

En demi-finale, les deux protagonistes avaient respectivement battu Mary Carter Reitano et Christine Truman.

Stazione di Ozzano Monferrato

February 3rd, 2018

La stazione di Ozzano Monferrato è una fermata ferroviaria posta sulla linea Castagnole-Asti-Mortara che fino al 2010 serviva il centro abitato di Ozzano Monferrato.

La stazione fu inaugurata il 12 luglio 1870 contestualmente all’apertura della ferrovia Castagnole-Asti-Mortara, il cui esercizio fu ceduto dallo Stato alla Società per le Ferrovie dell’Alta Italia (SFAI) in virtù della legge di riforma del 1865 nel frattempo intervenuta.

In base alla legge “Baccarini” del 27 aprile 1885 running with pack, la concessione fu trasferita in tale anno alla Società per le Strade Ferrate del Mediterraneo buy stainless steel water bottle online, con servizi eserciti dalla Rete Mediterranea, per poi passare nel 1905 alle neocostituite Ferrovie dello Stato.

Nel 1989 la stazione, privata del binario d’incrocio, venne trasformata in fermata .

Passata in gestione nel 2001 a Rete Ferroviaria Italiana, il 6 settembre 2010 il servizio fu interrotto tra Asti e Mortara, a causa di cedimenti strutturali della galleria adiacente alla fermata, ponendo l’intera linea a rischio di chiusura.

Considerata la pesante situazione economico-finanziaria della Regione Piemonte, che a differenza della confinante Lombardia non intese avviare un programma di valorizzazione del trasporto su ferro, nel 2012 la stessa decretò la sospensione dei contratti di servizio su numerose linee secondarie di propria competenza, portando alla definitiva sospensione del traffico sia sulla Castagnole-Asti che sulla Asti-Mortara

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